PREVIEW: 9 reasons why we can’t wait for January 2026 starring The Unlikely Pilgrimage of Harold Fry

  1. The Unlikely Pilgrimage of Harold Fry

Passenger wrote the music and lyrics for this adaptation of the novel at Theatre Royal Haymarket starring The Full Monty‘s Mark Addy and Jenna Russell (Hello Dolly! London Palladium) running 29 January through 18 April 2026. It’s the story of a man who receives a letter from a long-lost friend and walks from Devon to Berwick-upon-Tweed. Tickets

  • Read on for reasons including American Psycho, I’m Sorry Prime Minister and The History Of Sound
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PREVIEW: Melodifestivalen Heat 1 2026 starring A-Teens, Greczula & Jacqline

By Aline Mahrud

WHERE? Saab Arena, Linköping WHEN? Saturday 31 January 2026 WHERE TO WATCH? SVT

A-Teens had UK hits with Upside Down and Halfway Around The World as well as 2 ABBA covers a quarter of a century ago and mark their reformation in Melodifestivalen’s 66th year.

  • Read on for reasons including more detail about this opening show’s 6 acts
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AWARDS: Winners of our 2025 monstas are …

monstagigz readers have been voting throughout October, November and December for their favourite pop, theatre, TV, film and podcasts of 2025 from our shortlists. Read on for details of our 2025 11th annual monstas winners …

  • Read on for reasons including the winners of our 17 monstas for the best theatre, pop, TV, film and podcasts of 2025
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AWARDS SHORTLIST: MONSTAS: Best Theatre Actress of 2025

It’s been quite the year, it’s almost Christmas and what would the festive season be without some recognition of the best of 2025? Over the next week we’ll shortlist five nominees in each of 17 categories for our Oscars, or monstas if you will, of 2025.

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ALBUM OF THE MONTH: Everybody Scream by Florence And The Machine (December 2025)

WORTH A LOOK?: ****

Tracklist: Everybody Scream; One Of The Greats; Witch Dance; Sympathy Magic; Perfume And Milk; Buckle; Kraken; The Old Religion; Drink Deep; Music By Men; You Can Have It All; And Love

‘The closest I came to making life was the closest I came to death,’ says lead singer Florence Welch. ‘And I felt like I had stepped through this door, and it was just full of women, screaming.’

  • Read on for reasons including how this can lay claim to Welch’s most personal album to date
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AWARDS SHORTLIST: MONSTAS: Best Theatre Actor 2025

It’s been quite the year, it’s almost Christmas and what would the festive season be without some recognition of the best of 2025? Over the next week we’ll shortlist five nominees in each of 17 categories for our Oscars, or monstas if you will, of 2025.

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THEATRE REVIEW: End starring Clive Owen & Saskia Reeves at the Dorfman, National Theatre

By Neil Durham

WORTH A LOOK? ***

WHEN? Monday 8 December, runs through 17 January 2026 RUNTIME 90 minutes (without interval)

A 90s house DJ discusses his cancer with the mother of their child as their 60th birthdays approach and he looks for the titular end armed with the ‘best record in his box’.

  • Read on for reasons including how this is a rare chance to see this cast in an intimate setting in challenging new material
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AWARDS SHORTLIST: MONSTAS: Best Theatre Supporting Actor of 2025

It’s been quite the year, it’s almost Christmas and what would the festive season be without some recognition of the best of 2025? Over the next week we’ll shortlist five nominees in each of 17 categories for our Oscars, or monstas if you will, of 2025.

  • Read on for the nominees for the monsta for the Best Theatre Supporting Actor of 2025 Previous winner 2024 Jak Malone, Operation Mincemeat, Fortune Theatre, Review Tickets
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THEATRE REVIEW: High Noon starring Billy Crudup & Denise Gough at Harold Pinter Theatre

By Neil Durham

WORTH A LOOK? ***1/2

WHEN? Friday 19 December, opens 9 January and runs through 7 March 2026 RUNTIME 100 minutes without interval

There’s a clock above the stage ticking forward in real time to the titular High Noon as Billy Crudup’s marshal Will Kane prepares to meet his fate.

  • Read on for reasons including how Gough and Crudup make for a couple the audience can root for
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